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Some watches are noticed.

Others are felt.

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The House

A watch to be lived with

Lornet does not make watches to be seen.

Lornet crafts watches to be lived with.

Since 2016, the company has pursued a simple goal:

to restore watches to an intimate relationship.

Not an object to be shown off.

An object to be lived with.

The watch should not take center stage.

It should accompany you.

Lornet is for those who seek consistency over effect,

accuracy

over ostentation.

Living time

Mechanics at the center

Each model is organized around a balance wheel visible at 12 o'clock.

It does not seek to impress.

It beats.

Constant.

Regular.

Present.

When the gaze returns to the watch.

It encounters movement.

Time becomes perceptible.

Almost palpable.

The watch is no longer a static dial.

It becomes a presence on the wrist.

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Haute-Façon

Created for the wearer

Haute-Façon is a way of designing.

It is intention in every detail.

Every line is born from wear.

Every curve is drawn for balance.

Every detail is designed to last.

The tonneau and cushion shapes are not chosen to stand out.

They are chosen to fit the wrist.

The series are deliberately limited.

Not to create artificial scarcity, but to avoid dilution.

Each piece receives a unique decoration.

Each watch is patiently adjusted.

This work takes time.

It requires attention.

 

A watch designed in this way does not seek to impose itself.

It naturally finds its place.

The workshop

Time as a choice

The house moves forward at its own pace.

Production remains limited in order to preserve the attention given to each piece.

 

Time is not compressed.

It is respected.

This choice implies a controlled scale.

It also implies a direct, ongoing, lasting relationship.

Consistency takes precedence over multiplication.

Continuity takes precedence over speed.

A watch can be produced quickly.

A relationship cannot.

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The origin

A requirement built over time

The company was founded by Anthony Simao Lornet, who graduated from the Morteau Watchmaking School in 2011.

His career at Breitling, Audemars Piguet, and Chronode shaped his rigorous approach.

Through his first company, he then carried out various projects for companies such as Cartier, Parmigiani, Piaget, Richard Mille, and many others.

Maison Lornet does not seek to break with the past.

It is part of a continuum.

A continuum of gestures.

Of high standards.

 

It is part of the long term.

​​​​

“What matters does not seek to show itself.”

 Anthony Simao Lornet

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